CARE : Circus Arts Research Exchange

European artistic research project

CARE is an artistic research network based on international collaborations between 7 partners in 6 European countries:
France/ Cahin-Caha, Sweden/ Cirkus Cirkör, Norway/ Cirkus Xanti, Iceland/ Nordic House, France / Un Loup Pour L’homme, Czech Republic/ Cirk La Putyka, Finland/ Circo Aereo.
The partners are contemporary circus companies, venues and festivals.

CARE will have 21 different activities during 2 years (spring 2013 - spring 2014) where directors, artists, and creative staff will meet and collaborate in interdisciplinary labs, artistic meetings, seminars and residencies. Some of the activities, along with public presentations, will take place during festivals (Volcanic Circus festival in Iceland, The Circus Village Festival in Norway). Other activities will create a creative cluster and cross-boundary meeting points through open presentations of the residencies, artistic labs and seminars in the 6 partner countries. For some of the labs there will be open calls for circus artists. We will keep you updated here!
 
CARE is a network created to be sustained and expanded, to enable international artists to collectively raise fundamental questions, through interdisciplinary meetings and collaboration, that will deepen and strengthen the artistic work in the multidisciplinary performance, and specifically in the contemporary circus field.
 

In CARE the focus is on a very fundamental level: how the art is created. Focus on artistic research allow creative work to break out of old practices and repetitive patterns. The commitment to artistic research strengthens the ties of the artist and the company to the topic of the work, the history of the art-form and the artistic community around them. Research brings up many new questions and the process of working around these questions gives the work depth and strength, as when thin threads weave together an unbreakable net.

The dates

  • Wednesday 25 June 2014 from 09:30 to 11:30

    CAHIN-CAHA : BODY-BREATH-SPIRIT TRAINING
    Breath deeply, move healthy, dance gorgeously
    -warming up body-spirit-creativity through dancing, voicing and sharing.

    Part 1 - Léa Canu Ginoux, choreographer
    We will navigate between “Release Technique” and “Body Motion Awareness-Listening” practice. Through formal and experiential body training, we will focus on
    a structural and organic connection of forms
    the dialectic between the body’s inside and outside input
    experiencing energy in its multiple layers
    Furthermore, by exploring the breath as the source that leads the body’s motion, we will gradually reach an engaged physicality in a complete awareness. From down to up, we’ll travel and investigate an authentic dance through centering mouvement, energetic flow, economic effort, succession, direction, clarity and creativity. The floor, as our partner, will be a tool to enter, awaken and develop the body’s intelligence : its organization, strength, flexibility, accuracy and honesty.

    Body Motion Awareness-Listening practice is a playground for each person to stimulate his/her own movement and creativity while deepening the understanding of the body/spirit construction and its ’natural’ technique or organicity.

    Part 2 - Daniel Gulko, polyperformer and director
    As a complement to Léa’s breath and body work, I will lead a vocal exploration. The two parts share a common approach in breath, improvisation and personal exploration. I will specifically share my current vocal warmup, connecting breath with flesh and bones, working sound and vibration as movement motors, to finish in choral improvisation of our combined “body-breath-spirit”. This connection of of voice with body is the foundation of my physical theatre method.

    Nordic House, Reykjavik, Iceland
  • Tuesday 24 June 2014 from 09:30 to 11:30

    CAHIN-CAHA : BODY-BREATH-SPIRIT TRAINING
    Breath deeply, move healthy, dance gorgeously
    -warming up body-spirit-creativity through dancing, voicing and sharing.

    Part 1 - Léa Canu Ginoux, choreographer
    We will navigate between “Release Technique” and “Body Motion Awareness-Listening” practice. Through formal and experiential body training, we will focus on
    a structural and organic connection of forms
    the dialectic between the body’s inside and outside input
    experiencing energy in its multiple layers
    Furthermore, by exploring the breath as the source that leads the body’s motion, we will gradually reach an engaged physicality in a complete awareness. From down to up, we’ll travel and investigate an authentic dance through centering mouvement, energetic flow, economic effort, succession, direction, clarity and creativity. The floor, as our partner, will be a tool to enter, awaken and develop the body’s intelligence : its organization, strength, flexibility, accuracy and honesty.

    Body Motion Awareness-Listening practice is a playground for each person to stimulate his/her own movement and creativity while deepening the understanding of the body/spirit construction and its ’natural’ technique or organicity.

    Part 2 - Daniel Gulko, polyperformer and director
    As a complement to Léa’s breath and body work, I will lead a vocal exploration. The two parts share a common approach in breath, improvisation and personal exploration. I will specifically share my current vocal warmup, connecting breath with flesh and bones, working sound and vibration as movement motors, to finish in choral improvisation of our combined “body-breath-spirit”. This connection of of voice with body is the foundation of my physical theatre method.

    Nordic House, Reykjavik, Iceland
  • Monday 23 June 2014 from 09:30 to 11:30

    CAHIN-CAHA : BODY-BREATH-SPIRIT TRAINING
    Breath deeply, move healthy, dance gorgeously
    -warming up body-spirit-creativity through dancing, voicing and sharing.

    Part 1 - Léa Canu Ginoux, choreographer
    We will navigate between “Release Technique” and “Body Motion Awareness-Listening” practice. Through formal and experiential body training, we will focus on
    a structural and organic connection of forms
    the dialectic between the body’s inside and outside input
    experiencing energy in its multiple layers
    Furthermore, by exploring the breath as the source that leads the body’s motion, we will gradually reach an engaged physicality in a complete awareness. From down to up, we’ll travel and investigate an authentic dance through centering mouvement, energetic flow, economic effort, succession, direction, clarity and creativity. The floor, as our partner, will be a tool to enter, awaken and develop the body’s intelligence : its organization, strength, flexibility, accuracy and honesty.

    Body Motion Awareness-Listening practice is a playground for each person to stimulate his/her own movement and creativity while deepening the understanding of the body/spirit construction and its ’natural’ technique or organicity.

    Part 2 - Daniel Gulko, polyperformer and director
    As a complement to Léa’s breath and body work, I will lead a vocal exploration. The two parts share a common approach in breath, improvisation and personal exploration. I will specifically share my current vocal warmup, connecting breath with flesh and bones, working sound and vibration as movement motors, to finish in choral improvisation of our combined “body-breath-spirit”. This connection of of voice with body is the foundation of my physical theatre method.

    Nordic House, Reykjavik, Iceland

LACRIMAE - Laboratory for Creation and Nomadism